The work of Mozart is fascinating whichever way one looks at it. He was
and remained the symbol of inexhaustible inventiveness. But what makes
him special compared to other great composers is his versatility,
diversity and universality of his opus. As mentioned before, Mozart
composed the music in almost all musical forms existing at the time,
ranging from the simplest sonatas to the most complex symphonies and
operas. This is not surprising, because his Moon is placed in
Sagittarius while the ruler Jupiter is at the very ASC sextile Moon. The
sign of Sagittarius and planet Jupiter symbolize diversity, variety,
versatility and open-mindedness. While ASC represents the way we express
ourselves, it is clear why Mozart expressed his creativeness at many
levels through different musical forms (Jupiter). In addition, Mozart
left behind many pieces of sacred music, which again, mirrors Jupiter
(spirituality, religion) at ASC.
However, what makes him a unique and unparalleled genius is
the pace at which he kept creating. To illustrate this, one
should only mention but a few examples: at the age of 18, Mozart
composed his Symphony No. 30, Symphony No.36 and Linz KV 425 in
only 4 days, while his last three symphonies No.39 KV543, No.40
KV550 and No.41 KV 551 "Jupiter" were created in record 6 weeks.
His last opera La Clemenza di Tito was composed in just 18 days
while a well-known overture for his opera
Le Nozze di Figaro was
written 2 days before the first performance.
The overture for the opera Don Giovanni was finished the
night before the first performance! Four piano concertos
composed in 1784: No.14 KV 449, No. 15 KV 450, No.16 KV 451 i
No.17 KV 453 were created in only 2 months and his two, probably
the most beautiful piano concertos, No. 20 KV 466 and No.21 KV
467, were also composed in just a two-month time. The same goes
for all other works. All of them were created in an incredibly
short period of time.
From the astrological point of view, it is not
difficult to see why Mozart created at such startling speed. There are 4
planets in Aquarius (speed), while Uranus is in the fifth house. That is
why Mozart (Uranus) composed his music (fifth house) at unfathomable
(Uranus in Pisces Ė unfathomably, startling) speed (Uranus).
What inspired Mozart to
keep creating so tirelessly?
The explanation can be found in the aspects of
Uranus. The symbolic of Uranus square Moon, and Pluto in the third
house, is best described by Mozart himself. He wrote in one of his
letters that his musical fantasy (Uranus in the fifth house) was driven
( square) by different singers and musicians ( Moon-people at the degree
of Libra-artist) who every day tirelessly practiced next door (third
house). The ideas (Uranus) fleshed across his mind (Pluto) and he
sketched them during the intermissions, ride in a carriage (third house)
and picnics. In addition, this aspect shows that the death (Pluto) of
numerous family members (Moon), i.e. the grief and pain caused by their
loss, stirred (square) his creative imagination (Uranus). After the
death of his father he created a magnificent but also tragic opera
Juan while, only a few days after the death of his daughter Teresa, the
most famous but also the saddest symphony No.40 KV 550 came to light.
Wolfgang Amadeus Mozart
Mozartís horoscope not only reveals numerous details
from his life but also speaks about his work. The position of Venus in
the 5th house is the most interesting. Translated into the language of
astrology, this would mean love (Venus) in a theatre i.e. opera (5th
house). Since Venus is the ruler of ASC, i.e. signifies Mozart himself,
it is clear that writing operas was his major preoccupation, love
playing the central part in the majority of them. Venus is in the exact
trine with Mars. This aspect represents an ideal love, perfect
relationship between a man and a woman, while in the horoscope of a man
it signifies a great lover and irresistible ladiesí man and thus, it is
perfectly clear why Mozart felt compelled to stage the opera about a
famous lover, Don Juan. Mars (Don Juan) is in the 9th house (a
foreigner). It is a common knowledge that Don Juan was Spanish i.e. for
Mozart he was a foreigner. A year before this opera Mozart wrote the
wedding (Venus) of Figaro (Mars). This time, the main character, Figaro,
was French ( Mars-Figaro in the 9th house-foreigner). The symbolic of
Mars trine Venus is best depicted by the opera called Cosi fan tutte or
School for Lovers. Why school? Both Mars and Venus are placed in the
houses symbolising the process of education (5th and 9th house).
Therefore, we have School ( 5th and 9th house) for Lovers (Mars and
The three previously mentioned operas were the result
of Mozartís cooperation with a librettist Lorenzo Da Ponte. How is this
reflected in the horoscope? The 7th house represents business
collaborators. The cusp of this house at the 15th degree ( Gemini-text)
shows that Mozart was looking for the collaborator who would write (
Gemini) text (Gemini), librettos for his operas. The ruler of the 7th
house, Mars, is placed in the 9th house (foreigner) and thus, only after
achieving a successful cooperation (Venus-Mozart trine-cooperation with
Mars-Lorenzo Da Ponte) i.e. joining forces with a foreign librettist,
Italian (Gemini), did he manage to produce unparalleled operas to date.
In the summer of 1788, Mozart creates, within a
record period of time, his last three symphonies. The very last one,
which is the peak of Mozartís entire work in symphony writing, due to
its heroic, spirited and optimistic character was, after his death,
called ďJupiterĒ symphony.
Because this planet is placed in Mozartís ASC (the
way other people see us) and it is no wonder that this symphony was
given such a name. The ruler of Jupiter is Venus placed in the 5th house
(child), and it was one of the Mozartís sons, Franz Xaver, who named
this symphony "Jupiter".
In 1984, director Milos Forman, makes a great film about Mozart based on
the drama by Peter Shaffer. The film was entitled Amadeus. This is not
surprising since Jupiter (film) is at ASC (his personality). To complete
the symbolic, the film is made by foreigners (Jupiter), Americans.
The way Mozartís horoscope shows the entire storyline, many characters
and even particular lines from this movie are fascinating. This is
primarily due to the position of Jupiter (film) in Libra (Vienna) at ASC
(Mozart). The film depicts the period of life that Mozart spent in
Vienna i.e. from his arrival to this city in 1781 until his death in
1791. Mozartís first appearance in the film is shown by his ASC. In the
movie, we see Mozart for the first time in the room full of cakes and
cookies (Libra) in the arms of his girlfriend (ruler of the ASC, Venus
in the fifth house- love affairs), future wives (Venus in
Aquarius-future wife), Constance.
Another scene from the film is even more symbolic and
completely supports the assumption that Mozartís ASC in Libra, i.e. that
Jupiter is at the ASC. Namely, when his father Leopold came to Vienna to
visit the young married couple, Mozart decided (ASC-first decision) that
all three of them go to the dance, a ball (Libra) i.e. fancy dress ball
(also, the ruler of ASC, Venus in the 5th house-outings, entertainment,
parties). The next scene shows Mozart putting the mask of a horse onto
his head (ASC)! (Jupiter).
It will be also interesting to analyse the scene in which Mozart is
trying to talk king Joseph II into allowing him to stage his opera Le
Nozze di Figaro. He describes his work in the following way: "This is a
piece about love. Something completely new. People will go mad about it
". These two lines are clearly shown in his horoscope. Namely, this is a
piece ( 5th house) depicting love (Venus). It is something completely
new (Venus in Aquarius-new. Uranus-new, in the 5th house). People will
go mad about it ( Uranus in Pisces-go mad, square Moon-people).
Certainly, people did not go mad about this or any other of his opera
due to the same aspects i.e. people (Moon) rejected (square) his
brilliant operas (Uranus in the 5th house).
Any genuine lover of Mozartís music must have asked
himself many times how was it possible that such a true musical genius
could have been so much ignored and neglected by his contemporaries and,
primarily, his fellow-citizens Austrians. The reason can certainly be
found in the statement that the destiny of every true genus is tragic.
However, in case of Mozart, this reason can be found in his horoscope.
The "problem" of everyoneís horoscope, including Mozartís, lies in
Saturn which, in Mozartís horoscope is very much pronounced. It is
placed in Aquarius in his seat in the 4th house, which he also rules,
since the cusp of this house is in Capricorn. The house ruled by Saturn
describes persons or environment negatively influencing the native of
this horoscope and imposing on him restrictions and inflicting pain. The
fourth house symbolises homeland, the country where we belong. Thus, it
is easy to conclude that Mozartís life in Austria, i.e. Salzburg, and
then Vienna, could only bring him pain, suffering, disappointments and
Paradoxically, the same position of Saturn brought Mozart after his
death the immortal glory and, owing to this planet, Mozartís star will